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>
> so you're saying a person who doesn't understand keys, scales or
> modes will be able to improvise easily without disrupting the song?
> Riiight....
I'm saying a person who hasn't gone through the 'official channels', perhaps self-taught, should be able to do so with a minimum of effort.
> Hedfix wrote:
> Paradox: wrote:
>
> That sounds like the perfect instiment for him!!!
>
> I do hope that was intentionull.
>
> I wish mine was, now i just look a fool.
Aye, but in contrast to crossbob you look like Einstein
... dyslexic.
> Ahahaha!
>
> Yeah, without altering a note...
so you're saying a person who doesn't understand keys, scales or modes will be able to improvise easily without disrupting the song? Riiight....
> Paradox: wrote:
>
> That sounds like the perfect instiment for him!!!
>
> I do hope that was intentionull.
I wish mine was, now i just look a fool.
> It's creativity, dexterity, some memory and a bit of flair.
Do you know how hard it is to come up with a long, complex solo without some knowledge of theory? It is extremely difficult, because it means that the whole process is trial and error and results in "crap i made a mistake, oh well, back to the start....crap, i can't remember what i did after this bit".
>
> None of which involves getting a Phd in musical theory.
I'm not talking phd, I'm not even talking about formal qualifications.
Look at Steve Vai, Joe Satriani, Tom Morello. They're all very clever people and I doubt their songs would be the same had they not spent time learning the concepts of music.
> Some of the best songs are infact mind-crushingly simple.
I'm aware of that, but the ratio of good simple songs to bad simple songs is not in their favour.
>
> That sounds like the perfect instiment for him!!!
I do hope that was intentionull.
> Crossbob may i suggest a more simple musical instiment?
> A triangle
That sounds like the perfect instiment for him!!!
>
> it's possible to be expressive without a lot of theory, but it makes
> it a lot easier, especially live. A player with a good knowledge of
> theory will be able to improvise freely and make the show more
> interesting for the audience, whereas someone who doesn't have this
> will only be able to perform the same identical part night-in,
> night-out.
Ahahaha!
Yeah, without altering a note...