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Why has nobody reacted to the increasing trend of familiar faces appearing in these wretched odes-to-stupidity?
I watched a few minutes of a couple last week and saw in Eastenders - Barbara Windsor and Shane Ritchie, and in Coronation Street is that lomping retard from Boyzone that used to race Rally Cars and point a lot in the videos.
Surely it would cause a reaction? These things are supposed to be "real-life as drama" aren't they? So why does not one character say "Hang on, you're Barbara Windsor - an aging former sexpot notorious for almost flashing her fish-belly white fatbaps in Carry-on movies"?
I'll go one further - why not have regular cameos from other-series characters purely for entertainment value? Spice these stupid programmes up for irony factor?
The A-Team in Emmerdale? Hannibal arrives and smokes a cigar, Face-Man dresses as a farmer and cons a local timber merchant out of some lumber, BA gets moody because there are no ethnic people in "T'valley" and Murdoch face-rapes a sheep.
Colombo in Eastenders:
He arrives to investigate how a former New-Romantic idol is now a lothario that bears a striking resemblance to a Kimodo Dragon.
Manimal in Neighbours:
He shows up to do some investigating in a boring plot involving "Stonefish", turns into a chicken and is savaged by Bouncer. Seeking revenge, he mutates into a Tiger and mauls Harold Bishop and then goes back in time to get that one who now makes Memento and LA Confidential.
There's enough scope to go hog-wild with cross-character japes, so why have the script writers stuck to gormless Ian Beale being thwarted in yet-another business deal or squashed-face Ricky being tricked into doing something moronic?
A mud-soaked Ahnolt could be lurking in the corner of each shot and background Jesse Ventura being all tough.
And Michael Madsen as Mr Blonde in Eastenders, tying that wrong-faced monster that owns "Well'ard" to a chair and slicing off his enormous ears.
Anyway I digress, Mike Tyson in Eastenders as an angry man whose stretched Limo is actually a cut and shut job (half Skoda-front, half train carriage at the back) knocked out in Phil's garage: let's see how tough Mr Mitchel is now hey?
I think Emmerdale could also use a Predator to drive up ratings.
In the Bloodpack pub (another cultural reference to boost street cred).
"Something bin worrying ma sheep".
"What 'as"
"a seven foot, Chameleon alien with a laser mounted on it's shoulder".
"Typical, first BSE now this, I blame the French, computer games and that there Ginster rap"
"Don't you mean Gangster?"
"No the rap about pasties, ho ho har har".
*All the patrons in Bloodpack laugh , then an eiree silence envelops as a clicking sound is heard, there's a whiring sound then a red triangle appears on the barkeeps forehead*
Fade to balck.
Why has nobody reacted to the increasing trend of familiar faces appearing in these wretched odes-to-stupidity?
I watched a few minutes of a couple last week and saw in Eastenders - Barbara Windsor and Shane Ritchie, and in Coronation Street is that lomping retard from Boyzone that used to race Rally Cars and point a lot in the videos.
Surely it would cause a reaction? These things are supposed to be "real-life as drama" aren't they? So why does not one character say "Hang on, you're Barbara Windsor - an aging former sexpot notorious for almost flashing her fish-belly white fatbaps in Carry-on movies"?
I'll go one further - why not have regular cameos from other-series characters purely for entertainment value? Spice these stupid programmes up for irony factor?
The A-Team in Emmerdale? Hannibal arrives and smokes a cigar, Face-Man dresses as a farmer and cons a local timber merchant out of some lumber, BA gets moody because there are no ethnic people in "T'valley" and Murdoch face-rapes a sheep.
Colombo in Eastenders:
He arrives to investigate how a former New-Romantic idol is now a lothario that bears a striking resemblance to a Kimodo Dragon.
Manimal in Neighbours:
He shows up to do some investigating in a boring plot involving "Stonefish", turns into a chicken and is savaged by Bouncer. Seeking revenge, he mutates into a Tiger and mauls Harold Bishop and then goes back in time to get that one who now makes Memento and LA Confidential.
There's enough scope to go hog-wild with cross-character japes, so why have the script writers stuck to gormless Ian Beale being thwarted in yet-another business deal or squashed-face Ricky being tricked into doing something moronic?