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and why the battle between the Record Companies and the pirates could be more important than most people imagine.
http://news.bbc.co.uk/2/hi/entertainment/3187695.stm goes some way to suggesting this. Take a look, then come back here.
Can you see what the important issue is here ? It is not the piracy of music, but whether that user can legally be identified, whether the alterego can be linked to a real human person.
The internet is here to stay, and one of the key ideas of the interent is privacy, to a certain degree. Take this site for example, we mouth off about all sorts of things, and some people post all sorts of stuff, some of it objectionable or controversial, and I'll bet that is in part because we know that unless we tell anyone we remain all but anonymous. No one at work, or university, can know it is us here unless we tell them.
Yes, IP addresses can be traced, servers hacked, etc, but in general privacy on the internet is a given - forget about spyware because that only gets onto a PC if you download certain programs so it is avoidable, as well as being removeable. My point is if you want privacy then, by and large, it's on the internet.
But the actions of the Record Companies endanger that. Their motives are suspect, research comissioned by them recently showed mp3 downloads typically mean more sales anyway, and UK album sales are rising. Single sales are falling but that's price structure related, and probably because most decent singles now are related to groups whose fans are more likely to just buy the album. I haven't bought a single since last year, yet I've bought more albums, and downloaded no mp3's at all so far.
The key issue here is identity, and whether those who hold that information can be forced, under a law system which assumes innocence until guilt is proven, to divulge that information for reasons which are less than justifiable.
If someone is downloading illegal porn, sharing it and so on, then I have no problem with their identity being revealed IF it is 100% certain that they have the right person, because accusations like that stick with someone whether true or not.
This issue won't go away, and it's possibly going to be one of the key legal battles of this century, because the future is about information, who can access it, why they can access it, and how.
http://news.bbc.co.uk/2/hi/entertainment/3187695.stm goes some way to suggesting this. Take a look, then come back here.
Can you see what the important issue is here ? It is not the piracy of music, but whether that user can legally be identified, whether the alterego can be linked to a real human person.
The internet is here to stay, and one of the key ideas of the interent is privacy, to a certain degree. Take this site for example, we mouth off about all sorts of things, and some people post all sorts of stuff, some of it objectionable or controversial, and I'll bet that is in part because we know that unless we tell anyone we remain all but anonymous. No one at work, or university, can know it is us here unless we tell them.
Yes, IP addresses can be traced, servers hacked, etc, but in general privacy on the internet is a given - forget about spyware because that only gets onto a PC if you download certain programs so it is avoidable, as well as being removeable. My point is if you want privacy then, by and large, it's on the internet.
But the actions of the Record Companies endanger that. Their motives are suspect, research comissioned by them recently showed mp3 downloads typically mean more sales anyway, and UK album sales are rising. Single sales are falling but that's price structure related, and probably because most decent singles now are related to groups whose fans are more likely to just buy the album. I haven't bought a single since last year, yet I've bought more albums, and downloaded no mp3's at all so far.
The key issue here is identity, and whether those who hold that information can be forced, under a law system which assumes innocence until guilt is proven, to divulge that information for reasons which are less than justifiable.
If someone is downloading illegal porn, sharing it and so on, then I have no problem with their identity being revealed IF it is 100% certain that they have the right person, because accusations like that stick with someone whether true or not.
This issue won't go away, and it's possibly going to be one of the key legal battles of this century, because the future is about information, who can access it, why they can access it, and how.
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Yeah, FM's points is valid, but also hopelessly idealistic. The real threat to companies are people selling the pirated stuff on for massive profits, not people sharing it for free. Last weekend when I went to a car boot one guy there was selling CD-R's for £3.50, each with 10 new top 10 albums on. His table was covered in DVD-R boxed copies of every new film there is, at £4 a time. He was selling piles of stuff, and since I didn't see trading standards pounce on him, I assume he'll be doing the same today.
I bet you were tempted to bust the guy Bell.
If I honestly thought it would make a difference then I would have, but ultimately it's up to the authorities, which this nation's taxes go towards, to sort things out. I'm saying the current climate of law enforcement is so useless that people like that guy can openly break the law and do so with little fear.
pb wrote:
>
> A - Make downloaded MP3s last for 30 days and then stop working.
Perfectly acceptable.
The programs which I use most is called 'songplayer', a keyboard tutor.
I can download tracks (with chords and riffs) to my work pc, but they won't work on my home PC due to some sort of protection. As I actually do pay for these, the company send me the tracks when I buy a few on CD, so I can use them at home.
If they can do that, then why can't record companies do the same, plus put a trial only period on the mp3's.
Yes singles are overpriced and I avoid buying them unless its a dance track (so I don't have to pay oads for a MoS compliation which has a lot of drivel on), but I don't believe that albums are (unless you buy them from HMV). Tesco and ASDA normally have all of there CD's at about £10, a fair price I think (unlike all DVD's which are well overpriced even though I buy loads).
I download music (mainly in albums), but as Mr Snuggllie (real name protected for legal reasons) has said, I will buy an album if I like it, if not the music is deleted.
Someone who I know (who has a name exceedling similar to mine) does pirate music to a degree however, I will copy offical albums for my parents and flatmates, so technically I'm not in the wrong. However, normally these are compliations that I make up from many CD's, including my own music now and again.
Anyway, back to the real point. Where I download music to is my work PC. Now, there are 350 people working in this office, all of them can log onto any workstation and go on the net. Chances of me being found out. Minimal.
>
> A - Make downloaded MP3s last for 30 days and then stop working.
Perfectly acceptable.
The programs which I use most is called 'songplayer', a keyboard tutor.
I can download tracks (with chords and riffs) to my work pc, but they won't work on my home PC due to some sort of protection. As I actually do pay for these, the company send me the tracks when I buy a few on CD, so I can use them at home.
If they can do that, then why can't record companies do the same, plus put a trial only period on the mp3's.
Yes singles are overpriced and I avoid buying them unless its a dance track (so I don't have to pay oads for a MoS compliation which has a lot of drivel on), but I don't believe that albums are (unless you buy them from HMV). Tesco and ASDA normally have all of there CD's at about £10, a fair price I think (unlike all DVD's which are well overpriced even though I buy loads).
I download music (mainly in albums), but as Mr Snuggllie (real name protected for legal reasons) has said, I will buy an album if I like it, if not the music is deleted.
Someone who I know (who has a name exceedling similar to mine) does pirate music to a degree however, I will copy offical albums for my parents and flatmates, so technically I'm not in the wrong. However, normally these are compliations that I make up from many CD's, including my own music now and again.
Anyway, back to the real point. Where I download music to is my work PC. Now, there are 350 people working in this office, all of them can log onto any workstation and go on the net. Chances of me being found out. Minimal.
I downloaded the Outkast single last night and after about a minute it starts making a hideous ack-ack-ack-ack noise. I tried five or six different versions, all of which had the same problem. Beaten by a record company: very annoying.
I planned on buying the album when it came out; the only reason I downloaded Ghettomusik is that I don't buy singles unless they're on vinyl and I couldn't find a vinyl copy in town. I could get it on the internet but 12"s cost a fortune online because of the postage, and I'd end up having to go down the post office to pick it up. So I tried to nick it off Kazzaa, as a sort of loan until I find myself a copy. But, no, the record company has flooded the internet with white noise mp3s and succeeded in peeing me off - I'll still buy the album, but now I'll take great pleasure in giving copies to all my friends and selling hundreds to passing schoolkids.
I planned on buying the album when it came out; the only reason I downloaded Ghettomusik is that I don't buy singles unless they're on vinyl and I couldn't find a vinyl copy in town. I could get it on the internet but 12"s cost a fortune online because of the postage, and I'd end up having to go down the post office to pick it up. So I tried to nick it off Kazzaa, as a sort of loan until I find myself a copy. But, no, the record company has flooded the internet with white noise mp3s and succeeded in peeing me off - I'll still buy the album, but now I'll take great pleasure in giving copies to all my friends and selling hundreds to passing schoolkids.
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