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The immediate problems are the level designs and the AI. From the outset the player is presented an extremely high proportion of blind alleys to explore-a problem that is somewhat addressed as the game progresses, but the feeling is one of a design almost random in nature. The first foe Hiro encounters are frogs and insects-not creatures likely to strike terror into your heart-and while the adversaries increase in size later on, their brains clearly haven't grown in accordance with their bodies.
Despite thse fundamental difficulties, Daikatana has a lot of innovative features. The most significant of these are the 'sidekicks', which take the helpful characters of Halflife and Kingpin a fe steps further. Commands to acquire objects, attack enemies or to stay put can be issued, adding a slightly squad based angle to the proceedings. Sadly this too becomes tiresome as you have to keep your allies alive or it's game over-which, given their sometimes suicidal behaviour, can be tough.
Another interesting touch is the way Hiro's skills and abilities grow as you progress. Experience can be channeled towards different areas-Attack, Power (damage), Speed, Acrobatics (jumping ability), and Vitality-improving your performance. This concept also applies to Hiro's sword, the 'Daikatana', whichlearns how to kill different enemies the more it's used. Other weapons range from the powerful Staff of Zues, Shockwave and Sunflare, to the more ineffectual Ion Blaster and Discuss. However, using the more powerful arms in the close environments of the game usually results in death for you and your feckless sidekicks.
From the outset Daikatana looks and plays like a game well past its sell-by-date-the quake II engine it is based on shouldn't be exposed to such high levels of rigours at it's age. While it would have been impossible to live up to the expectation John Romero himself perpetuated. Daikatana simply doesn't cut it.
RATING:
4 OUT OF TEN
The immediate problems are the level designs and the AI. From the outset the player is presented an extremely high proportion of blind alleys to explore-a problem that is somewhat addressed as the game progresses, but the feeling is one of a design almost random in nature. The first foe Hiro encounters are frogs and insects-not creatures likely to strike terror into your heart-and while the adversaries increase in size later on, their brains clearly haven't grown in accordance with their bodies.
Despite thse fundamental difficulties, Daikatana has a lot of innovative features. The most significant of these are the 'sidekicks', which take the helpful characters of Halflife and Kingpin a fe steps further. Commands to acquire objects, attack enemies or to stay put can be issued, adding a slightly squad based angle to the proceedings. Sadly this too becomes tiresome as you have to keep your allies alive or it's game over-which, given their sometimes suicidal behaviour, can be tough.
Another interesting touch is the way Hiro's skills and abilities grow as you progress. Experience can be channeled towards different areas-Attack, Power (damage), Speed, Acrobatics (jumping ability), and Vitality-improving your performance. This concept also applies to Hiro's sword, the 'Daikatana', whichlearns how to kill different enemies the more it's used. Other weapons range from the powerful Staff of Zues, Shockwave and Sunflare, to the more ineffectual Ion Blaster and Discuss. However, using the more powerful arms in the close environments of the game usually results in death for you and your feckless sidekicks.
From the outset Daikatana looks and plays like a game well past its sell-by-date-the quake II engine it is based on shouldn't be exposed to such high levels of rigours at it's age. While it would have been impossible to live up to the expectation John Romero himself perpetuated. Daikatana simply doesn't cut it.
RATING:
4 OUT OF TEN