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CD Review: NSYNC-Celebrity
Right, here we go guys (and gals), a complete, albeit late review of NSYNC’s latest offering, Celebrity! The pressure was on these guys to really make a breakthrough and continue the momentum that was obtained from the success of songs like “Bye Bye Bye” and “It’s Gonna Be Me”. Not just that they had to stay at the top of the tree to stop the Backstreet Boys from wrestling the crown of top group away. Third albums are always tough, gone are the days when you can merely do a re-hash of tried and tested tracks as is often the case for second albums. Progression and innovation have to be demonstrated. Thankfully for NSYNC fans, this CD really does cut the mustard. Let’s go through the songs one by one.
POP: First single from the album, written by Justin Timberlake and choreographer and unofficial ‘sixth member’ Wade Robson. There was a lot of hype about this song, since it was produced by top dance producer BT. Funky beats and slightly paranoid lyrics ensure that the song grabs you by the scruff of the neck. Its got that ‘blown bass’ back beat to it, and definitely is the ‘dirty-pop’ devised by the boys. Its essentially a statement to answer the questions posed by critics. A real slamming track that has the innovative idea of the instrumental section (used to good effect in the video) as well as a beatbox finish. An excellent start to the album. A completely different flavour to anything seen on previous albums, and the BSB would never do a song like this.
CELEBRITY: Rodney ‘Darkchild’ Jerkins of Michael Jackson, Destiny’s Child and Brandy is the man to bring funk back to the pop scene. Written by Justin and Wade, this is also another one of those ‘statement’ type songs signifying that NSYNC are aware that they have arrived, and are ready for all the stick they will inevitably face. Lead vocals are shared by JC and Justin. A good balance struck, but is not the strongest song on the CD. Darkchild can do better. In a way, disappointing for a title track.
THE GAME IS OVER: Here we go, a real head-turner. Written by JC and Alex Greggs, who worked together on several songs on the No Strings Attached album. Real clever use of a Pac-Man sample, and the instrumentation and vocals bring a certain degree of funk and aggression to the song. Nice ad-libbing by JC towards the end, and the complimenting of the two lead vocals is superbly done. This is the future of dirty-pop. Essentially it is the aggressive, funky brand of pop that you will see on this album. A classic in the making. Great to sing along to, and bound to be well received by fans.
GIRLFRIEND: This is a real classic. Destined to make NSYNC appreciated by the RnB market. Produced and written by the Neptunes (co-written by Justin), this is an urban mid-tempo groove. Awsome bassline, fantastic vocals, and mesmerising harmonies. This is one of the best songs on the album. People may have heard the remix of this featuring Nelly, but in all honesty this is just as good, for the bassline suits the song brilliantly. Very clever touches in the song, such as the echo in the bridge, and the semi-accoustic loop in the background. In my opinion JC gives a superior vocal performance to Justin- more soul and power. Its got the electronic instrumentation that will be much copied over the next year or so. Its essentially a continuation of what She’kspere was doing for Destiny’s Child, Usher and Britney, but better!
THE TWO OF US: JC and Alex Greggs are again responsible for writing and producing this song. Very reminiscent of the dual-tempo “Give It To You” by Jordan Knight. Slightly two-step feel about the beat, but nevertheless, a good example of the innovation shown by the band. Justin does a great job with the vocals on this. Not what you can call traditional NSYNC fodder. Interesting to note that Alex Greggs worked with Michael Jackson on the ‘Invincible’ album. An new superstar production team in the making perhaps?
GONE: The first NSYNC song to enter the Billboard RnB chart, and is a real standout track. This is simply because it is a stripped down ballad. Shows that NSYNC can beat the BSB at their own game. Little instrumentation consisting of a Justin beatbox and a guitar, as well as song strings. The song is flushed out by the lush, rich harmonies, done in a way that only they can do. Produced by Justin and Wade, this really shows the potential these guys have. If someone like Brian McKnight had done a song like this you would all be raving about it. This song was wanted by a certain Michael Jackson for his ‘Invincible’ album, but was turned down. You can imagine MJ singing this, for Justin sings the song with such soul and panache. It’s the ad-libbing towards the end of the song that really grab you, enhanced by the strings, conducted by Robin Wiley. One of those songs that will be remembered by me, anyway. It stands out due to its simplicity-its not grand and over-produced. Clear, simple and heartfelt, like a true message from the heart. This is up there with “God Must Have Spent A Little More Time On You” and “This I promise You”.
TELL ME; TELL ME…BABY: Long overdue song from the masters of NSYNC songs; Max Martin and Rami. A wicked song that oozes aggression and class. Hints of Jacko about the beginning with the stuttering intro and sound of breaking glass. Great first verse sung by Justin, and is neck-and-neck with top vocal performance with JC. Very cool keyboard based backing track, with synthesisers that have been heard on “The Call” by BSB. I love the bridge towards the end, and has complex electronic sounds and vocal arrangement. The Max Martin fingerprint is apparent on this song, for it has the energy heard on songs from previous albums. This is one of the strongest songs on the album without a shadow of a doubt.
UP AGAINST THE WALL: Of all the members of NSYNC, JC is easily the most brave when it comes to experimenting. This is the first ever two-step NSYNC garage track. Another interesting point about this song is that it is the song that was worked on by both Justin and JC. Well paced, good arrangement, with JC getting the better vocals. Slightly more raunchier than other songs, but this just shows that they are growing up with their audience.
SEE RIGHT THROUGH YOU: Wade and Justin are back writing and producing this song. I love the tempo at which this song is sung, as well as the neat strings at the beginning of the song. Although I must say, this is not the strongest of songs on the album, but by no means one of the weakest, In other words a competent, solid track.
SELFISH: This song is awesome. Written by JC, Joylon Skinner and Vit Renn, this song is so amazingly heartfelt and touching. The words are deep and well constructed. Produced by Brian McKnight, the song has a RnB feel to it, due to the clever use of keyboards and harmonies. This song is a true love song, with a message that is crystal clear once you hear the chorus. JC steals the show with his emotive, soulful performance. Possibly the best song on the album with regards to harmonies. Truly magical, and tugs at the heart strings like very few other songs. Gentle bassline, allowing the focus of the song to lie with the vocals, both backing and lead.
JUST DON’T TELL ME THAT: Once again, the old guys still can do the job, Kristin Lundin, Jake and Andreas Carlsson come up with a stomping track dominated by keyboards. One thing about the Chieron producers (Max Martin, Rami, Jake, Kristin Lundin and Andreas Carlsson) is that they maximise the vocals of JC and Justin. You just wanna move your body to this song! The trademark keyboards make you realise straight away who produced this song, as do the blend of voices before the final round of choruses at the end. The drums are toned down and the rhythm of the keyboards provides the beat. A great song.
SOMETHING JUST LIKE YOU: You know you are goin places when you can hire Randy Jackson on bass and Stevie Wonder on harmonica! This joint effort by Justin and Robin Wiley has an air of sophistication about it, and the words make this a great slow-jam. Like several other songs, JC shows a greater vocal range than Justin, although Justin does get the limelight. Harmonies are tight in this song, great to chill out to with a loved one. Shows that NSYNC aren’t just reliant on uptempo numbers.
THAT GIRL (WILL NEVER BE MINE): Some may say that this bears a resemblance to Bye Bye Bye. I don’t think so, yes some of the vocal arrangement is similar, but the tone of the song is different. Kristin Lundin, Jake, and Andreas Carlsson do a sterling job in keeping to a tried and trusted formula, making a true pop song. It has all the essentials- good rhythm, catchy vocals, strong harmonies and instantly recognizable. Fantastic song, showing that they have not forgotten their roots.
FALLING: No, not the Alicia Keys song! Written by Chris Kirkpatrick this song has a certain 80’s feel to it due to the keyboards used at the beginning. A good song, but nothing special. Good vocals, harmonies, and instrumentation, but lacking a certain cutting edge. Cynics may say that it is bordering on soppy, but the performances ensure that this is not the case. Justin shows good vocal control over the high notes, and complements JC’s vocals well. Competent and solid, but the weakest ballad nevertheless. Maybe that is why it is just a bonus track.
DO YOUR THING: It’s the toss of a coin whether this or Celebrity is the weakest track on the album. Reminiscent of Janet Jackson in terms of vocals, it’s a sorta slowed down dance track. It’s OK, but nothing to blow you away. If this was done by anyone else, the song would be worse. Shame the album had to end on a song like this and not a song like “That Girl (Will Never Be Mine)”
Right, that’s it you can wake up now! As you have hopefully read, Celebrity is a great album. Songs like the Chieron studios produced tracks show that NSYNC can still do the business, whilst songs like Girlfriend and Selfish show that they can cross boundaries and head deep into RnB territory. There are no real annonymou songs, it’s just that the high standard of songs made it tough not to find any faults. I was desperate to find minor quibbles! The future looks bright, JC and Justin both showing that they can write and produce. The next album will be interesting, for up to now they have worked with many legends of modern music: Richard Marx, Teddy Riley, She’kspere, Rodney Jerkins, Brian McKnight and Stevie Wonder. Getting all these guys on the next album would be mind blowing, as would any solo projects. Hope you all enjoy this album. A word of advice- don’t pre-judge the album by saying it’s another boyband. Go with an open mind, and appreciate what you hear.
Right, here we go guys (and gals), a complete, albeit late review of NSYNC’s latest offering, Celebrity! The pressure was on these guys to really make a breakthrough and continue the momentum that was obtained from the success of songs like “Bye Bye Bye” and “It’s Gonna Be Me”. Not just that they had to stay at the top of the tree to stop the Backstreet Boys from wrestling the crown of top group away. Third albums are always tough, gone are the days when you can merely do a re-hash of tried and tested tracks as is often the case for second albums. Progression and innovation have to be demonstrated. Thankfully for NSYNC fans, this CD really does cut the mustard. Let’s go through the songs one by one.
POP: First single from the album, written by Justin Timberlake and choreographer and unofficial ‘sixth member’ Wade Robson. There was a lot of hype about this song, since it was produced by top dance producer BT. Funky beats and slightly paranoid lyrics ensure that the song grabs you by the scruff of the neck. Its got that ‘blown bass’ back beat to it, and definitely is the ‘dirty-pop’ devised by the boys. Its essentially a statement to answer the questions posed by critics. A real slamming track that has the innovative idea of the instrumental section (used to good effect in the video) as well as a beatbox finish. An excellent start to the album. A completely different flavour to anything seen on previous albums, and the BSB would never do a song like this.
CELEBRITY: Rodney ‘Darkchild’ Jerkins of Michael Jackson, Destiny’s Child and Brandy is the man to bring funk back to the pop scene. Written by Justin and Wade, this is also another one of those ‘statement’ type songs signifying that NSYNC are aware that they have arrived, and are ready for all the stick they will inevitably face. Lead vocals are shared by JC and Justin. A good balance struck, but is not the strongest song on the CD. Darkchild can do better. In a way, disappointing for a title track.
THE GAME IS OVER: Here we go, a real head-turner. Written by JC and Alex Greggs, who worked together on several songs on the No Strings Attached album. Real clever use of a Pac-Man sample, and the instrumentation and vocals bring a certain degree of funk and aggression to the song. Nice ad-libbing by JC towards the end, and the complimenting of the two lead vocals is superbly done. This is the future of dirty-pop. Essentially it is the aggressive, funky brand of pop that you will see on this album. A classic in the making. Great to sing along to, and bound to be well received by fans.
GIRLFRIEND: This is a real classic. Destined to make NSYNC appreciated by the RnB market. Produced and written by the Neptunes (co-written by Justin), this is an urban mid-tempo groove. Awsome bassline, fantastic vocals, and mesmerising harmonies. This is one of the best songs on the album. People may have heard the remix of this featuring Nelly, but in all honesty this is just as good, for the bassline suits the song brilliantly. Very clever touches in the song, such as the echo in the bridge, and the semi-accoustic loop in the background. In my opinion JC gives a superior vocal performance to Justin- more soul and power. Its got the electronic instrumentation that will be much copied over the next year or so. Its essentially a continuation of what She’kspere was doing for Destiny’s Child, Usher and Britney, but better!
THE TWO OF US: JC and Alex Greggs are again responsible for writing and producing this song. Very reminiscent of the dual-tempo “Give It To You” by Jordan Knight. Slightly two-step feel about the beat, but nevertheless, a good example of the innovation shown by the band. Justin does a great job with the vocals on this. Not what you can call traditional NSYNC fodder. Interesting to note that Alex Greggs worked with Michael Jackson on the ‘Invincible’ album. An new superstar production team in the making perhaps?
GONE: The first NSYNC song to enter the Billboard RnB chart, and is a real standout track. This is simply because it is a stripped down ballad. Shows that NSYNC can beat the BSB at their own game. Little instrumentation consisting of a Justin beatbox and a guitar, as well as song strings. The song is flushed out by the lush, rich harmonies, done in a way that only they can do. Produced by Justin and Wade, this really shows the potential these guys have. If someone like Brian McKnight had done a song like this you would all be raving about it. This song was wanted by a certain Michael Jackson for his ‘Invincible’ album, but was turned down. You can imagine MJ singing this, for Justin sings the song with such soul and panache. It’s the ad-libbing towards the end of the song that really grab you, enhanced by the strings, conducted by Robin Wiley. One of those songs that will be remembered by me, anyway. It stands out due to its simplicity-its not grand and over-produced. Clear, simple and heartfelt, like a true message from the heart. This is up there with “God Must Have Spent A Little More Time On You” and “This I promise You”.
TELL ME; TELL ME…BABY: Long overdue song from the masters of NSYNC songs; Max Martin and Rami. A wicked song that oozes aggression and class. Hints of Jacko about the beginning with the stuttering intro and sound of breaking glass. Great first verse sung by Justin, and is neck-and-neck with top vocal performance with JC. Very cool keyboard based backing track, with synthesisers that have been heard on “The Call” by BSB. I love the bridge towards the end, and has complex electronic sounds and vocal arrangement. The Max Martin fingerprint is apparent on this song, for it has the energy heard on songs from previous albums. This is one of the strongest songs on the album without a shadow of a doubt.
UP AGAINST THE WALL: Of all the members of NSYNC, JC is easily the most brave when it comes to experimenting. This is the first ever two-step NSYNC garage track. Another interesting point about this song is that it is the song that was worked on by both Justin and JC. Well paced, good arrangement, with JC getting the better vocals. Slightly more raunchier than other songs, but this just shows that they are growing up with their audience.
SEE RIGHT THROUGH YOU: Wade and Justin are back writing and producing this song. I love the tempo at which this song is sung, as well as the neat strings at the beginning of the song. Although I must say, this is not the strongest of songs on the album, but by no means one of the weakest, In other words a competent, solid track.
SELFISH: This song is awesome. Written by JC, Joylon Skinner and Vit Renn, this song is so amazingly heartfelt and touching. The words are deep and well constructed. Produced by Brian McKnight, the song has a RnB feel to it, due to the clever use of keyboards and harmonies. This song is a true love song, with a message that is crystal clear once you hear the chorus. JC steals the show with his emotive, soulful performance. Possibly the best song on the album with regards to harmonies. Truly magical, and tugs at the heart strings like very few other songs. Gentle bassline, allowing the focus of the song to lie with the vocals, both backing and lead.
JUST DON’T TELL ME THAT: Once again, the old guys still can do the job, Kristin Lundin, Jake and Andreas Carlsson come up with a stomping track dominated by keyboards. One thing about the Chieron producers (Max Martin, Rami, Jake, Kristin Lundin and Andreas Carlsson) is that they maximise the vocals of JC and Justin. You just wanna move your body to this song! The trademark keyboards make you realise straight away who produced this song, as do the blend of voices before the final round of choruses at the end. The drums are toned down and the rhythm of the keyboards provides the beat. A great song.
SOMETHING JUST LIKE YOU: You know you are goin places when you can hire Randy Jackson on bass and Stevie Wonder on harmonica! This joint effort by Justin and Robin Wiley has an air of sophistication about it, and the words make this a great slow-jam. Like several other songs, JC shows a greater vocal range than Justin, although Justin does get the limelight. Harmonies are tight in this song, great to chill out to with a loved one. Shows that NSYNC aren’t just reliant on uptempo numbers.
THAT GIRL (WILL NEVER BE MINE): Some may say that this bears a resemblance to Bye Bye Bye. I don’t think so, yes some of the vocal arrangement is similar, but the tone of the song is different. Kristin Lundin, Jake, and Andreas Carlsson do a sterling job in keeping to a tried and trusted formula, making a true pop song. It has all the essentials- good rhythm, catchy vocals, strong harmonies and instantly recognizable. Fantastic song, showing that they have not forgotten their roots.
FALLING: No, not the Alicia Keys song! Written by Chris Kirkpatrick this song has a certain 80’s feel to it due to the keyboards used at the beginning. A good song, but nothing special. Good vocals, harmonies, and instrumentation, but lacking a certain cutting edge. Cynics may say that it is bordering on soppy, but the performances ensure that this is not the case. Justin shows good vocal control over the high notes, and complements JC’s vocals well. Competent and solid, but the weakest ballad nevertheless. Maybe that is why it is just a bonus track.
DO YOUR THING: It’s the toss of a coin whether this or Celebrity is the weakest track on the album. Reminiscent of Janet Jackson in terms of vocals, it’s a sorta slowed down dance track. It’s OK, but nothing to blow you away. If this was done by anyone else, the song would be worse. Shame the album had to end on a song like this and not a song like “That Girl (Will Never Be Mine)”
Right, that’s it you can wake up now! As you have hopefully read, Celebrity is a great album. Songs like the Chieron studios produced tracks show that NSYNC can still do the business, whilst songs like Girlfriend and Selfish show that they can cross boundaries and head deep into RnB territory. There are no real annonymou songs, it’s just that the high standard of songs made it tough not to find any faults. I was desperate to find minor quibbles! The future looks bright, JC and Justin both showing that they can write and produce. The next album will be interesting, for up to now they have worked with many legends of modern music: Richard Marx, Teddy Riley, She’kspere, Rodney Jerkins, Brian McKnight and Stevie Wonder. Getting all these guys on the next album would be mind blowing, as would any solo projects. Hope you all enjoy this album. A word of advice- don’t pre-judge the album by saying it’s another boyband. Go with an open mind, and appreciate what you hear.
Nice review.
Terrible, terrible subject.
Should be compared/reviewed in the same way McDonalds do with nuggets
"Well last week we shifted 8 million units of McPop-Music, well done".
NSYNC do not merit a well written review.
"Celebrity" review:
It's more generic pop aimed at pre-teen girls that have yet to develop musical tastes independantly of peer-pressure.
There is a reason that 95% of the fans of these bands are under-10s.
Terrible, terrible subject.
Should be compared/reviewed in the same way McDonalds do with nuggets
"Well last week we shifted 8 million units of McPop-Music, well done".
NSYNC do not merit a well written review.
"Celebrity" review:
It's more generic pop aimed at pre-teen girls that have yet to develop musical tastes independantly of peer-pressure.
There is a reason that 95% of the fans of these bands are under-10s.
Is this some kind of sick joke?
CD Review: NSYNC-Celebrity
Right, here we go guys (and gals), a complete, albeit late review of NSYNC’s latest offering, Celebrity! The pressure was on these guys to really make a breakthrough and continue the momentum that was obtained from the success of songs like “Bye Bye Bye” and “It’s Gonna Be Me”. Not just that they had to stay at the top of the tree to stop the Backstreet Boys from wrestling the crown of top group away. Third albums are always tough, gone are the days when you can merely do a re-hash of tried and tested tracks as is often the case for second albums. Progression and innovation have to be demonstrated. Thankfully for NSYNC fans, this CD really does cut the mustard. Let’s go through the songs one by one.
POP: First single from the album, written by Justin Timberlake and choreographer and unofficial ‘sixth member’ Wade Robson. There was a lot of hype about this song, since it was produced by top dance producer BT. Funky beats and slightly paranoid lyrics ensure that the song grabs you by the scruff of the neck. Its got that ‘blown bass’ back beat to it, and definitely is the ‘dirty-pop’ devised by the boys. Its essentially a statement to answer the questions posed by critics. A real slamming track that has the innovative idea of the instrumental section (used to good effect in the video) as well as a beatbox finish. An excellent start to the album. A completely different flavour to anything seen on previous albums, and the BSB would never do a song like this.
CELEBRITY: Rodney ‘Darkchild’ Jerkins of Michael Jackson, Destiny’s Child and Brandy is the man to bring funk back to the pop scene. Written by Justin and Wade, this is also another one of those ‘statement’ type songs signifying that NSYNC are aware that they have arrived, and are ready for all the stick they will inevitably face. Lead vocals are shared by JC and Justin. A good balance struck, but is not the strongest song on the CD. Darkchild can do better. In a way, disappointing for a title track.
THE GAME IS OVER: Here we go, a real head-turner. Written by JC and Alex Greggs, who worked together on several songs on the No Strings Attached album. Real clever use of a Pac-Man sample, and the instrumentation and vocals bring a certain degree of funk and aggression to the song. Nice ad-libbing by JC towards the end, and the complimenting of the two lead vocals is superbly done. This is the future of dirty-pop. Essentially it is the aggressive, funky brand of pop that you will see on this album. A classic in the making. Great to sing along to, and bound to be well received by fans.
GIRLFRIEND: This is a real classic. Destined to make NSYNC appreciated by the RnB market. Produced and written by the Neptunes (co-written by Justin), this is an urban mid-tempo groove. Awsome bassline, fantastic vocals, and mesmerising harmonies. This is one of the best songs on the album. People may have heard the remix of this featuring Nelly, but in all honesty this is just as good, for the bassline suits the song brilliantly. Very clever touches in the song, such as the echo in the bridge, and the semi-accoustic loop in the background. In my opinion JC gives a superior vocal performance to Justin- more soul and power. Its got the electronic instrumentation that will be much copied over the next year or so. Its essentially a continuation of what She’kspere was doing for Destiny’s Child, Usher and Britney, but better!
THE TWO OF US: JC and Alex Greggs are again responsible for writing and producing this song. Very reminiscent of the dual-tempo “Give It To You” by Jordan Knight. Slightly two-step feel about the beat, but nevertheless, a good example of the innovation shown by the band. Justin does a great job with the vocals on this. Not what you can call traditional NSYNC fodder. Interesting to note that Alex Greggs worked with Michael Jackson on the ‘Invincible’ album. An new superstar production team in the making perhaps?
GONE: The first NSYNC song to enter the Billboard RnB chart, and is a real standout track. This is simply because it is a stripped down ballad. Shows that NSYNC can beat the BSB at their own game. Little instrumentation consisting of a Justin beatbox and a guitar, as well as song strings. The song is flushed out by the lush, rich harmonies, done in a way that only they can do. Produced by Justin and Wade, this really shows the potential these guys have. If someone like Brian McKnight had done a song like this you would all be raving about it. This song was wanted by a certain Michael Jackson for his ‘Invincible’ album, but was turned down. You can imagine MJ singing this, for Justin sings the song with such soul and panache. It’s the ad-libbing towards the end of the song that really grab you, enhanced by the strings, conducted by Robin Wiley. One of those songs that will be remembered by me, anyway. It stands out due to its simplicity-its not grand and over-produced. Clear, simple and heartfelt, like a true message from the heart. This is up there with “God Must Have Spent A Little More Time On You” and “This I promise You”.
TELL ME; TELL ME…BABY: Long overdue song from the masters of NSYNC songs; Max Martin and Rami. A wicked song that oozes aggression and class. Hints of Jacko about the beginning with the stuttering intro and sound of breaking glass. Great first verse sung by Justin, and is neck-and-neck with top vocal performance with JC. Very cool keyboard based backing track, with synthesisers that have been heard on “The Call” by BSB. I love the bridge towards the end, and has complex electronic sounds and vocal arrangement. The Max Martin fingerprint is apparent on this song, for it has the energy heard on songs from previous albums. This is one of the strongest songs on the album without a shadow of a doubt.
UP AGAINST THE WALL: Of all the members of NSYNC, JC is easily the most brave when it comes to experimenting. This is the first ever two-step NSYNC garage track. Another interesting point about this song is that it is the song that was worked on by both Justin and JC. Well paced, good arrangement, with JC getting the better vocals. Slightly more raunchier than other songs, but this just shows that they are growing up with their audience.
SEE RIGHT THROUGH YOU: Wade and Justin are back writing and producing this song. I love the tempo at which this song is sung, as well as the neat strings at the beginning of the song. Although I must say, this is not the strongest of songs on the album, but by no means one of the weakest, In other words a competent, solid track.
SELFISH: This song is awesome. Written by JC, Joylon Skinner and Vit Renn, this song is so amazingly heartfelt and touching. The words are deep and well constructed. Produced by Brian McKnight, the song has a RnB feel to it, due to the clever use of keyboards and harmonies. This song is a true love song, with a message that is crystal clear once you hear the chorus. JC steals the show with his emotive, soulful performance. Possibly the best song on the album with regards to harmonies. Truly magical, and tugs at the heart strings like very few other songs. Gentle bassline, allowing the focus of the song to lie with the vocals, both backing and lead.
JUST DON’T TELL ME THAT: Once again, the old guys still can do the job, Kristin Lundin, Jake and Andreas Carlsson come up with a stomping track dominated by keyboards. One thing about the Chieron producers (Max Martin, Rami, Jake, Kristin Lundin and Andreas Carlsson) is that they maximise the vocals of JC and Justin. You just wanna move your body to this song! The trademark keyboards make you realise straight away who produced this song, as do the blend of voices before the final round of choruses at the end. The drums are toned down and the rhythm of the keyboards provides the beat. A great song.
SOMETHING JUST LIKE YOU: You know you are goin places when you can hire Randy Jackson on bass and Stevie Wonder on harmonica! This joint effort by Justin and Robin Wiley has an air of sophistication about it, and the words make this a great slow-jam. Like several other songs, JC shows a greater vocal range than Justin, although Justin does get the limelight. Harmonies are tight in this song, great to chill out to with a loved one. Shows that NSYNC aren’t just reliant on uptempo numbers.
THAT GIRL (WILL NEVER BE MINE): Some may say that this bears a resemblance to Bye Bye Bye. I don’t think so, yes some of the vocal arrangement is similar, but the tone of the song is different. Kristin Lundin, Jake, and Andreas Carlsson do a sterling job in keeping to a tried and trusted formula, making a true pop song. It has all the essentials- good rhythm, catchy vocals, strong harmonies and instantly recognizable. Fantastic song, showing that they have not forgotten their roots.
FALLING: No, not the Alicia Keys song! Written by Chris Kirkpatrick this song has a certain 80’s feel to it due to the keyboards used at the beginning. A good song, but nothing special. Good vocals, harmonies, and instrumentation, but lacking a certain cutting edge. Cynics may say that it is bordering on soppy, but the performances ensure that this is not the case. Justin shows good vocal control over the high notes, and complements JC’s vocals well. Competent and solid, but the weakest ballad nevertheless. Maybe that is why it is just a bonus track.
DO YOUR THING: It’s the toss of a coin whether this or Celebrity is the weakest track on the album. Reminiscent of Janet Jackson in terms of vocals, it’s a sorta slowed down dance track. It’s OK, but nothing to blow you away. If this was done by anyone else, the song would be worse. Shame the album had to end on a song like this and not a song like “That Girl (Will Never Be Mine)”
Right, that’s it you can wake up now! As you have hopefully read, Celebrity is a great album. Songs like the Chieron studios produced tracks show that NSYNC can still do the business, whilst songs like Girlfriend and Selfish show that they can cross boundaries and head deep into RnB territory. There are no real annonymou songs, it’s just that the high standard of songs made it tough not to find any faults. I was desperate to find minor quibbles! The future looks bright, JC and Justin both showing that they can write and produce. The next album will be interesting, for up to now they have worked with many legends of modern music: Richard Marx, Teddy Riley, She’kspere, Rodney Jerkins, Brian McKnight and Stevie Wonder. Getting all these guys on the next album would be mind blowing, as would any solo projects. Hope you all enjoy this album. A word of advice- don’t pre-judge the album by saying it’s another boyband. Go with an open mind, and appreciate what you hear.
Right, here we go guys (and gals), a complete, albeit late review of NSYNC’s latest offering, Celebrity! The pressure was on these guys to really make a breakthrough and continue the momentum that was obtained from the success of songs like “Bye Bye Bye” and “It’s Gonna Be Me”. Not just that they had to stay at the top of the tree to stop the Backstreet Boys from wrestling the crown of top group away. Third albums are always tough, gone are the days when you can merely do a re-hash of tried and tested tracks as is often the case for second albums. Progression and innovation have to be demonstrated. Thankfully for NSYNC fans, this CD really does cut the mustard. Let’s go through the songs one by one.
POP: First single from the album, written by Justin Timberlake and choreographer and unofficial ‘sixth member’ Wade Robson. There was a lot of hype about this song, since it was produced by top dance producer BT. Funky beats and slightly paranoid lyrics ensure that the song grabs you by the scruff of the neck. Its got that ‘blown bass’ back beat to it, and definitely is the ‘dirty-pop’ devised by the boys. Its essentially a statement to answer the questions posed by critics. A real slamming track that has the innovative idea of the instrumental section (used to good effect in the video) as well as a beatbox finish. An excellent start to the album. A completely different flavour to anything seen on previous albums, and the BSB would never do a song like this.
CELEBRITY: Rodney ‘Darkchild’ Jerkins of Michael Jackson, Destiny’s Child and Brandy is the man to bring funk back to the pop scene. Written by Justin and Wade, this is also another one of those ‘statement’ type songs signifying that NSYNC are aware that they have arrived, and are ready for all the stick they will inevitably face. Lead vocals are shared by JC and Justin. A good balance struck, but is not the strongest song on the CD. Darkchild can do better. In a way, disappointing for a title track.
THE GAME IS OVER: Here we go, a real head-turner. Written by JC and Alex Greggs, who worked together on several songs on the No Strings Attached album. Real clever use of a Pac-Man sample, and the instrumentation and vocals bring a certain degree of funk and aggression to the song. Nice ad-libbing by JC towards the end, and the complimenting of the two lead vocals is superbly done. This is the future of dirty-pop. Essentially it is the aggressive, funky brand of pop that you will see on this album. A classic in the making. Great to sing along to, and bound to be well received by fans.
GIRLFRIEND: This is a real classic. Destined to make NSYNC appreciated by the RnB market. Produced and written by the Neptunes (co-written by Justin), this is an urban mid-tempo groove. Awsome bassline, fantastic vocals, and mesmerising harmonies. This is one of the best songs on the album. People may have heard the remix of this featuring Nelly, but in all honesty this is just as good, for the bassline suits the song brilliantly. Very clever touches in the song, such as the echo in the bridge, and the semi-accoustic loop in the background. In my opinion JC gives a superior vocal performance to Justin- more soul and power. Its got the electronic instrumentation that will be much copied over the next year or so. Its essentially a continuation of what She’kspere was doing for Destiny’s Child, Usher and Britney, but better!
THE TWO OF US: JC and Alex Greggs are again responsible for writing and producing this song. Very reminiscent of the dual-tempo “Give It To You” by Jordan Knight. Slightly two-step feel about the beat, but nevertheless, a good example of the innovation shown by the band. Justin does a great job with the vocals on this. Not what you can call traditional NSYNC fodder. Interesting to note that Alex Greggs worked with Michael Jackson on the ‘Invincible’ album. An new superstar production team in the making perhaps?
GONE: The first NSYNC song to enter the Billboard RnB chart, and is a real standout track. This is simply because it is a stripped down ballad. Shows that NSYNC can beat the BSB at their own game. Little instrumentation consisting of a Justin beatbox and a guitar, as well as song strings. The song is flushed out by the lush, rich harmonies, done in a way that only they can do. Produced by Justin and Wade, this really shows the potential these guys have. If someone like Brian McKnight had done a song like this you would all be raving about it. This song was wanted by a certain Michael Jackson for his ‘Invincible’ album, but was turned down. You can imagine MJ singing this, for Justin sings the song with such soul and panache. It’s the ad-libbing towards the end of the song that really grab you, enhanced by the strings, conducted by Robin Wiley. One of those songs that will be remembered by me, anyway. It stands out due to its simplicity-its not grand and over-produced. Clear, simple and heartfelt, like a true message from the heart. This is up there with “God Must Have Spent A Little More Time On You” and “This I promise You”.
TELL ME; TELL ME…BABY: Long overdue song from the masters of NSYNC songs; Max Martin and Rami. A wicked song that oozes aggression and class. Hints of Jacko about the beginning with the stuttering intro and sound of breaking glass. Great first verse sung by Justin, and is neck-and-neck with top vocal performance with JC. Very cool keyboard based backing track, with synthesisers that have been heard on “The Call” by BSB. I love the bridge towards the end, and has complex electronic sounds and vocal arrangement. The Max Martin fingerprint is apparent on this song, for it has the energy heard on songs from previous albums. This is one of the strongest songs on the album without a shadow of a doubt.
UP AGAINST THE WALL: Of all the members of NSYNC, JC is easily the most brave when it comes to experimenting. This is the first ever two-step NSYNC garage track. Another interesting point about this song is that it is the song that was worked on by both Justin and JC. Well paced, good arrangement, with JC getting the better vocals. Slightly more raunchier than other songs, but this just shows that they are growing up with their audience.
SEE RIGHT THROUGH YOU: Wade and Justin are back writing and producing this song. I love the tempo at which this song is sung, as well as the neat strings at the beginning of the song. Although I must say, this is not the strongest of songs on the album, but by no means one of the weakest, In other words a competent, solid track.
SELFISH: This song is awesome. Written by JC, Joylon Skinner and Vit Renn, this song is so amazingly heartfelt and touching. The words are deep and well constructed. Produced by Brian McKnight, the song has a RnB feel to it, due to the clever use of keyboards and harmonies. This song is a true love song, with a message that is crystal clear once you hear the chorus. JC steals the show with his emotive, soulful performance. Possibly the best song on the album with regards to harmonies. Truly magical, and tugs at the heart strings like very few other songs. Gentle bassline, allowing the focus of the song to lie with the vocals, both backing and lead.
JUST DON’T TELL ME THAT: Once again, the old guys still can do the job, Kristin Lundin, Jake and Andreas Carlsson come up with a stomping track dominated by keyboards. One thing about the Chieron producers (Max Martin, Rami, Jake, Kristin Lundin and Andreas Carlsson) is that they maximise the vocals of JC and Justin. You just wanna move your body to this song! The trademark keyboards make you realise straight away who produced this song, as do the blend of voices before the final round of choruses at the end. The drums are toned down and the rhythm of the keyboards provides the beat. A great song.
SOMETHING JUST LIKE YOU: You know you are goin places when you can hire Randy Jackson on bass and Stevie Wonder on harmonica! This joint effort by Justin and Robin Wiley has an air of sophistication about it, and the words make this a great slow-jam. Like several other songs, JC shows a greater vocal range than Justin, although Justin does get the limelight. Harmonies are tight in this song, great to chill out to with a loved one. Shows that NSYNC aren’t just reliant on uptempo numbers.
THAT GIRL (WILL NEVER BE MINE): Some may say that this bears a resemblance to Bye Bye Bye. I don’t think so, yes some of the vocal arrangement is similar, but the tone of the song is different. Kristin Lundin, Jake, and Andreas Carlsson do a sterling job in keeping to a tried and trusted formula, making a true pop song. It has all the essentials- good rhythm, catchy vocals, strong harmonies and instantly recognizable. Fantastic song, showing that they have not forgotten their roots.
FALLING: No, not the Alicia Keys song! Written by Chris Kirkpatrick this song has a certain 80’s feel to it due to the keyboards used at the beginning. A good song, but nothing special. Good vocals, harmonies, and instrumentation, but lacking a certain cutting edge. Cynics may say that it is bordering on soppy, but the performances ensure that this is not the case. Justin shows good vocal control over the high notes, and complements JC’s vocals well. Competent and solid, but the weakest ballad nevertheless. Maybe that is why it is just a bonus track.
DO YOUR THING: It’s the toss of a coin whether this or Celebrity is the weakest track on the album. Reminiscent of Janet Jackson in terms of vocals, it’s a sorta slowed down dance track. It’s OK, but nothing to blow you away. If this was done by anyone else, the song would be worse. Shame the album had to end on a song like this and not a song like “That Girl (Will Never Be Mine)”
Right, that’s it you can wake up now! As you have hopefully read, Celebrity is a great album. Songs like the Chieron studios produced tracks show that NSYNC can still do the business, whilst songs like Girlfriend and Selfish show that they can cross boundaries and head deep into RnB territory. There are no real annonymou songs, it’s just that the high standard of songs made it tough not to find any faults. I was desperate to find minor quibbles! The future looks bright, JC and Justin both showing that they can write and produce. The next album will be interesting, for up to now they have worked with many legends of modern music: Richard Marx, Teddy Riley, She’kspere, Rodney Jerkins, Brian McKnight and Stevie Wonder. Getting all these guys on the next album would be mind blowing, as would any solo projects. Hope you all enjoy this album. A word of advice- don’t pre-judge the album by saying it’s another boyband. Go with an open mind, and appreciate what you hear.