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And although its value in restrospect can be seen,
Its validity in 90's and early 21st centruy UK, Europe and the US must be pretty much non-existant?
Is this not a prime example of large music corporation creating a musical trend in order to sell large numbers or mass produced music?
And although its value in restrospect can be seen,
Its validity in 90's and early 21st centruy UK, Europe and the US must be pretty much non-existant?
Is this not a prime example of large music corporation creating a musical trend in order to sell large numbers or mass produced music?